Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831Longman, Rees, Orme, Browne, Green, & Longman, 1833 - 394 ページ |
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... theme , where all their beauty , grandeur , or excellence may be clearly dis- covered , and where , at the same time , all their home- liness and common - place associations are excluded . This is poetry to the eye . There is also ...
... theme , where all their beauty , grandeur , or excellence may be clearly dis- covered , and where , at the same time , all their home- liness and common - place associations are excluded . This is poetry to the eye . There is also ...
66 ページ
... theme of true poetry , the language of Scripture ( neither irreverently nor inappropriately ) may be extended ; " the things which are seen are temporal , but the things which are not seen are eternal . ” For those objects which , by ...
... theme of true poetry , the language of Scripture ( neither irreverently nor inappropriately ) may be extended ; " the things which are seen are temporal , but the things which are not seen are eternal . ” For those objects which , by ...
72 ページ
... the Pleasures of Hope , " have had poets in our own language , whose strains , worthy of their themes , will not soon cease to animate the aspirations of youth , and hallow the recollection of age , 73 LECTURES ON POETRY . N ° III . THE.
... the Pleasures of Hope , " have had poets in our own language , whose strains , worthy of their themes , will not soon cease to animate the aspirations of youth , and hallow the recollection of age , 73 LECTURES ON POETRY . N ° III . THE.
74 ページ
... themes in hand may be poetic- ally treated ; that is , they may be exhibited in all their poetical relationships , and under those aspects may excite the corresponding emotions . But it is manifest , that such licence , in the several ...
... themes in hand may be poetic- ally treated ; that is , they may be exhibited in all their poetical relationships , and under those aspects may excite the corresponding emotions . But it is manifest , that such licence , in the several ...
98 ページ
... and expatiate with eloquence . I speak of the general extravagant style of classical critics , with which no other theme can - inspire them . Hence , however perfect in theory modern 98 NO . III . THE FORM OF POETRY .
... and expatiate with eloquence . I speak of the general extravagant style of classical critics , with which no other theme can - inspire them . Hence , however perfect in theory modern 98 NO . III . THE FORM OF POETRY .
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admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns ROBERT SOUTHEY Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue truth uttered verse Virgil whole words writing