A Handbook of Oral ReadingHoughton Mifflin, 1917 - 353 ページ The aim of this handbook is to present the principles of natural expressive reading aloud. |
この書籍内から
検索結果6-10 / 100
8 ページ
... voice as an instrument of expression is largely acquired by delib- erate effort . It is something each individual must learn , from the easy management of breath to the formation of tone into words . A bad voice , with abnormal methods ...
... voice as an instrument of expression is largely acquired by delib- erate effort . It is something each individual must learn , from the easy management of breath to the formation of tone into words . A bad voice , with abnormal methods ...
9 ページ
... voice perfect as an instrument and obedient to every shade of thought and feeling , there would be little need for the study of expression . But until this happy condition is attained , the study of expressive speech will remain one of ...
... voice perfect as an instrument and obedient to every shade of thought and feeling , there would be little need for the study of expression . But until this happy condition is attained , the study of expressive speech will remain one of ...
10 ページ
... voice are combined by different indi- viduals in infinite variety for the expression of thought . But without knowledge of what constitutes good reading and the elements of it , and without the skill to detect faults and mannerisms and ...
... voice are combined by different indi- viduals in infinite variety for the expression of thought . But without knowledge of what constitutes good reading and the elements of it , and without the skill to detect faults and mannerisms and ...
11 ページ
... voice ; and it will make obvious the truth that excellent reading is the result of excellent thinking , clear understanding , and the vigorous play and exercise of the imagination and the emotions . ! PART I CLEARNESS OF MEANING CHAPTER ...
... voice ; and it will make obvious the truth that excellent reading is the result of excellent thinking , clear understanding , and the vigorous play and exercise of the imagination and the emotions . ! PART I CLEARNESS OF MEANING CHAPTER ...
17 ページ
... voice . During pauses between phrases , sentences , and paragraphs the reader has an opportunity to familiarize himself with what follows . This , indeed , is what pauses are for . They are the intervals in which the mind prepares ...
... voice . During pauses between phrases , sentences , and paragraphs the reader has an opportunity to familiarize himself with what follows . This , indeed , is what pauses are for . They are the intervals in which the mind prepares ...
他の版 - すべて表示
多く使われている語句
accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart heaven Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord Macbeth meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge section 28 sense sentence Shakespeare sight reading Sir Anth sleep Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words