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" Content!' to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. "
The works of Shakespear [ed. by H. Blair], in which the beauties observed by ... - 133 ページ
William Shakespeare 著 - 1769
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Shakespeare: Text, Subtext, and Context

Ronald L. Dotterer - 1989 - 252 ページ
...primarily a stage for displays of personal perversity: Why, I can smile, and murder whiles I smile, And cry "Content!" to that which grieves my heart,...cheeks with artificial tears, And frame my face to all occasions. (Part 3. 3.2.182-85) Language is merely a wardrobe from which Richard can select the appropriate...

Shakespeare and the Poet's Life

Gary Schmidgall - 1990 - 256 ページ
...another Clinias when he vaunts his actor's talent: "Why, I can smile, and murther whiles I smile, / And cry "Content" to that which grieves my heart,...with artificial tears, / And frame my face to all occasions" (3H6 3.2.182-85). His cohort in the next play of the tetralogy, Buckingham, shows that he...

An Audition Handbook of Great Speeches

Jerry Blunt - 1990 - 232 ページ
...this head Be round impaled with a glorious crown, ... Why, I can smile, and murther whiles I smile, And cry, "Content," to that which grieves my heart,...cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall; I'll slay more gazers than the basilisk;...

Edward the Second

Christopher Marlowe - 1995 - 388 ページ
...gleeful fantasy of wickedness also has a Marlovian ring: Why, I can smile, and murder whiles I smile, And cry 'Content' to that which grieves my heart,...cheeks with artificial tears, And frame my face to all occasions. I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the...

Inwardness and Theater in the English Renaissance

Katharine Eisaman Maus - 1995 - 232 ページ
...characters, he exploits the invisibility of his own interior. Why, I can smile, and murder while I smile, And cry 'Content!' to that which grieves my heart,...cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall; I'll slay more gazers than the basilisk;...

Imagining Monsters: Miscreations of the Self in Eighteenth-Century England

Dennis Todd - 1995 - 364 ページ
...Richard, "And seem a saint, when most I play the devil": Why, I can sm1le, and murder while I smile, And cry "Content!" to that which grieves my heart, And wet my cheeks with artif1cial tears, And frame my face to all occasions. 28 When Richard is pictured as (merely) a "diffus'd...

The Complete Works of William Shakespeare

William Shakespeare - 1996 - 1290 ページ
...will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murder whiles I smile; 3 occasions: I'll drown more sailors than the mermaid shall; I'll slay more gazers than the basilisk;...

Shakespearean Tragedy and Gender

Shirley Nelson Garner, Madelon Sprengnether - 1996 - 346 ページ
...Renaissance writers typically used to describe actors: Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart,...cheeks with artificial tears, And frame my face to all occasions. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the...

Engendering a Nation: A Feminist Account of Shakespeare's English Histories

Jean Elizabeth Howard, Phyllis Rackin - 1997 - 276 ページ
...that Renaissance writers often used to describe actors: Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart,...cheeks with artificial tears. And frame my face to all occasions. I can add colors to the chameleon, Change shapes with Proteus for advantages. And set the...

War Crimes Law Comes of Age: Essays

Theodor Meron - 1998 - 360 ページ
...will free myself, Or hew my way out with a bloody axe. Why, I can smile, and mueder whiles I smile, And cry "Content!" to that which grieves my heart,...cheeks with artificial tears. And frame my face to all occasions. I'll drown more sailors than the mermaid shall; I'll slay more gazers than the basilisk;...




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