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書籍 The man that hath no music in himself, Nor is not moved with concord of sweet sounds,... の書籍検索結果
" The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted. "
Discoveries in hieroglyphics, and other antiquities, in progress to which ... - 261 ページ
Robert Deverell 著 - 1813
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English Musical Renaissance, 1840-1940

Meirion Hughes, Robert Stradling, R. A. Stradling - 2001 - 330 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems and spoils: The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. The minds of many in the audience must indeed have been full of stratagems and treason. At that particular...

Shakespeare Survey, 第 46 巻

Stanley Wells - 2002 - 280 ページ
...position.9 As she returns to Belmont, she sees a candle burning in her hall and chats with Nerissa: PORTIA That light we see is burning in my hall. How far that...candle throws his beams So shines a good deed in a naughty world. NERISSA When the moon shone we did not see the candle. PORTIA So doth the greater glory...

William Shakespeare: The Complete Works

William Shakespeare - 1989 - 1280 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit b PORTIA. That light we see is burning in my hall. How far that little candle throws his beams! So shines...

The Shakespearian Tempest: With a Chart of Shakespeare's Dramatic Universe

G. Wilson Knight - 2002 - 360 ページ
...that hath no music in himself Nor is not mov'd with concord of sweet sounds. The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. (vi 83) 'Stratagems' and 'treasons' are to be opposed to the 'music' of state, and, consequently, to...

Good Morning Everybody, 書籍 2

Redvers Brandling - 2002 - 196 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted' (The Merchant of Venice Act V Scene i Lines 93-98). AREN'T WE LUCKY NOW? INTRODUCTION If we live in...

Lectures on Shakespeare

W. H. Auden - 2002 - 398 ページ
...with concord of sweet sounds, Is fit for treason, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. (Vi83-88) Lorenzo shows the same sensibility in all his other speeches, and an aesthetic consciousness...

Desperate Remedies

Thomas Hardy - 2003 - 415 ページ
...naughty world: Portia, the lady turned lawyer in The Merchant of Venice (c.1596-8) by Shakespeare, says: 'That light we see is burning in my hall, | How far...candle throws his beams! | So shines a good deed in a naughty world' (vi 89-91). 'Naughty' in the sixteenth century meant 'evil, wicked'. 54 crimson-flock...

The Merchant of Venice

William Shakespeare, Tony Farrell - 2003 - 141 ページ
...affections dark as Erebus. 85 Let no such man be trusted. Mark the music. Enter PORTIA and NERISSA PORTIA That light we see is burning in my hall. How far that...candle throws his beams! So shines a good deed in a naughty world. NERISSA When the moon shone we did not see the candle. 90 PORTIA So doth the greater...

Il mercante di Venezia

William Shakespeare - 2003 - 240 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils, The motions of his spirit are dull as night, And his affections dark as Erebus....trusted. Mark the music. Enter Portia and Nerissa PORTIA That light we see is burning in my hall; How far that little candle throws his beams! w So shines...

Des Jungen Kreislers Schatzkästlein

Carl Krebs, Johannes Brahms - 2003 - 371 ページ
...roab.ren Beruf JOT Kunft b.telten. (E. tt. fl. £joffmann (Der flrtusb.of). LThe motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. — Mark the music. 2 Shakespeare (Merchant of Venice, Act V, Scene 1) 5. There should be no music, this mocker of our...




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