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書籍 In the old age black was not counted fair, Or if it were, it bore not beauty's name;... の書籍検索結果
" In the old age black was not counted fair, Or if it were, it bore not beauty's name; But now is black beauty's successive heir, And beauty slander'd with a bastard shame: For since each hand hath put on nature's power, Fairing the foul with art's false... "
The Poetical Works of William Shakspeare and the Earl of Surrey - 172 ページ
William Shakespeare 著 - 1862 - 316 ページ
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Shakespeare's Sonnets

William Shakespeare - 1995 - 182 ページ
...Therefore the image of walking would be more apt than for a modern pianist. 1 3 happy - blessed and joyful. In the old age black was not counted fair, Or if it...now is black beauty's successive heir, And beauty slandered with a bastard shame: 5 For since each hand hath put on nature's power, Fairing the foul...

Shakespeare: The Evidence: Unlocking the Mysteries of the Man and His Work

Ian Wilson - 1999 - 512 ページ
...clearly addresses to his other love and which seem to belong to the same period as Sonnets 33 to 42: In the old age black was not counted fair, Or if it were, it bore not beauty's name Therefore, my mistress' brows are raven black, Her eyes so suited, and they mourners seem . . . 'My...

The Complete Idiot's Guide to Shakespeare

Laurie Rozakis - 1999 - 380 ページ
...beauty's name; But now is black beauty's successive heir, 2 And beauty slandered with a bastard shame, 3 For since each hand hath put on nature's power, Fairing the foul with art's false borrowed face, 4 Sweet beauty hath no name, no holy bower, s But is profaned, if not lives in disgrace....

Shakespeare: la invención de lo humano

Harold Bloom - 2001 - 734 ページ
...la obra. Rosaline parece a veces estar en una obra equivocada, puesto que su actitud ante Birón 27. In the old age black was not counted fair, / Or if...now is black beauty's successive heir, / And beauty slandered with a bastard shame: / For since each hand hath put on nature's power, / Fairing the foul...

Love's Labour's Lost

William Shakespeare - 2001 - 500 ページ
...to ' the Dark Lady,' the two most often cited passages are the following : — Sonnet cxxvii : — ' In the old age black was not counted fair, Or if it...now is black beauty's successive heir, And beauty slander- d with a bastard shame ; For since each hand hath put on nature's power, Fairing the foul...

Writing Prejudices: The Psychoanalysis and Pedagogy of Discrimination from ...

Robert Samuels - 2001 - 196 ページ
...not seek to go beyond its own narcissistic self-enclosure. When Shakespeare states in sonnet 127 that "In the old age black was not counted fair, / Or if...name, / But now is black beauty's successive heir," he is attacking not only the past metaphorics of color but also his own culture and social value system....

In the Break: The Aesthetics of the Black Radical Tradition

Fred Moten - 2003 - 315 ページ
...keep her treasure. Her audit, though delayed, answered must be, And her quietus is to render thee. In the old age black was not counted fair, Or if it...now is black beauty's successive heir, And beauty slandered with a bastard shame; For since each hand hath put in nature's pow'r, Fairing the foul with...

Renaissance Drama 32: New

Jeffrey Masten, Wendy Wall - 2003 - 264 ページ
...represent the vogue in the 1590s for dark-haired women or brunettes, possibly due to Continental influence: "In the old age black was not counted fair, / Or if...beauty's name; / But now is black beauty's successive heir."82 Ingram and Redpath note, for example, "that at least until late in the Elizabethan period,...

Sonetos

William Shakespeare - 2005 - 336 ページ
...old age black was not countedfair, Or ifit were, it bore not beautys name; But now is black beautys successive heir, And beauty slander'd with a bastard...since each hand hath put on nature's power, Fairing thefoul with art's false borrow'd face, Sweet beauty hath no name, no holy bower, But is profaned,...

The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the ...

Patrizia Bettella - 2005 - 259 ページ
...the Dark Lady (sonnet 127) by stating the change in the concept of female beauty from fair to black: In the old age black was not counted fair, or if it...beauty's name, but now is black beauty's successive heir (96) 2b Although Shakespeare's example provides the great literary theme for a new tradition of baroque...




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