 | Mark Harvey Liddell - 1902 - 336 ページ
...namely, that of counting in each line the accents, not the syllables. Though the latter may vary from ten to twelve, yet in each line the accents will be found...transition in the nature of the imagery or passion (ie emotion ? )." But Coleridge unfortunately was quite unfamiliar with the fact that this mode of... | |
 | Mark Harvey Liddell - 1902 - 348 ページ
...namely, that of counting in each line the accents, not the syllables. Though the latter may vary from ten to twelve, yet in each line the accents will be found...transition in the nature of the imagery or passion (ie emotion ? )." But Coleridge unfortunately was quite unfamiliar with the fact that this mode of... | |
 | Samuel Taylor Coleridge - 1902 - 162 ページ
...old volume in order to see what he can appropriate." — Letter to Mr. SE Dawson, November 21, 1882. found to be only four. Nevertheless this occasional...transition, in the nature of the imagery or passion." 1. 1. 'Tis the middle of night, etc. "The circumstances with which the poem opens are admirably conceived.... | |
 | Joseph Bickersteth Mayor - 1903 - 188 ページ
...more or less conscious striving after the result'. 1 Compare Coleridge's Preface to Christabel: 'The occasional variation in number of syllables is not...transition in the nature of the imagery or passion.' In previous chapters I have endeavoured to give an objective statement of the facts of Modern English... | |
 | Samuel Edward Winbolt - 1903 - 316 ページ
...interesting, perhaps, are the cases where Virgil markedly changes his rhythm, to use Coleridge's words, 'in correspondence with some transition in the nature of the imagery or passion.' Note, eg, the change of effect in. Vix ea fatus erat, quum clrcumfusa repente, Sclndit se nubes et... | |
 | Thomas Humphry Ward - 1903 - 630 ページ
...Christabel, and like Goethe's Erl King, has several variations introduced (as Coleridge says of his own) 'in correspondence with some transition in the nature of the imagery or passion.1 The ' new principle,' in short, was Chatterton's. Again, in the mysterious suggestiveness... | |
 | Charles Frederick Johnson - 1904 - 370 ページ
...only four. Nevertheless, the occasional variation in number of syllables is not introduced wantonly, but in correspondence with some transition in the nature of the imagery or passion." There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance... | |
 | Samuel Taylor Coleridge - 1905 - 170 ページ
...poorer of the two. I have only to add, that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded...transition in the nature of the imagery or passion. PART THE FIRST 'T1s the middle of night by the castle clock, And the owls have awakened the crowing... | |
 | Samuel Taylor Coleridge - 1907 - 218 ページ
...or trochaic-dactylic new English long line, which is frequently PREFACE 59 not, properly speaking, irregular, though it may seem so from its being founded...transition, in the nature of the imagery or passion. combined with it. ... Burns' Tarn o'Shanler is a conspicuous instance. . . . The claim raised by Coleridge... | |
 | Samuel Taylor Coleridge - 1907 - 168 ページ
...poorer of the two. "I have only to add that the meter of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded...transition, in the nature of the imagery or passion." The hope expressed at the end of the first paragraph was never fulfilled. These words were modified... | |
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I have only to add, that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary... 
