 | Brian B. Ritchie - 1999 - 362 ページ
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties... | |
 | Valeria Wagner - 1999 - 288 ページ
...the speech, in which Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Tom Lutz - 2001 - 358 ページ
...human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous that this player here, But...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function... | |
 | William Shakespeare - 1999 - 324 ページ
...and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant slave am I ! Is it not monstrous that this player here, But...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken... | |
 | Gail Holst-Warhaft - 2000 - 252 ページ
...225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 2000 - 356 ページ
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 555 But in a fiction, in a dream of passion, Could force...own conceit, That from her working all his visage wanned; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Lawrence Schoen - 2001 - 240 ページ
...and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With... | |
 | Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 282 ページ
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
 | William Shakespeare - 2001 - 304 ページ
...and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
 | William Shakespeare - 2002 - 244 ページ
...pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting... | |
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Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... 
