 | M. Owen Lee - 1998 - 258 ページ
...only for his black Aida is uncannily there in Shakespeare's opening lines - a 'plated Mars' whose eyes 'now bend, now turn / The office and devotion of their view / Upon a tawny front.' And in Verdi's opening 'Celeste Aida' we hear Shakespeare's 'scuffles of great fights' and 'the buckles... | |
 | 1888 - 482 ページ
[ このページの内容は閲覧が制限されています ] | |
 | Franck Lessay - 1999 - 204 ページ
...dissolution : Nay but this dotage of our General's O'erflaws the measure. Those his goodly eyes [...] now bend, now turn The office and devotion of their view Upon a tawny front. His captain's heart [...] hath burst The buckles on his breast...(Ill-8)16 Ces images de torsion (linea serpentinatd),... | |
 | William Shakespeare - 1999 - 202 ページ
...disgusted Roman soldier, the play's first speaker, one Philo, claims that Antony's "goodly eyes" . . . now bend, now turn The office and devotion of their view Upon a tawny front. . . . Philo concludes that Antony's "captain's heart . . . reneges all temper / And is become the bellows... | |
| |
NAY, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front... 
