 | John Foss - 2013 - 128 ページ
...concern of the drama. Antony is distracted from his career, and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the...and devotion of their view Upon a tawny front.... (I, i, 11. 2-6} Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,... | |
 | Mary Lefkowitz - 2008 - 321 ページ
...degenerated because of his love for Cleopatra, whom he compares to a gypsy woman: Antony's eyes that once "glow'd like plated Mars, now bend, now turn / The...and devotion of their view / Upon a tawny front," that is, a dark face; Antony's "captain's heart ... is become the bellows and the fan / To cool a gipsy's... | |
 | Marvin Rosenberg - 1998 - 390 ページ
...including Enobarbus. Antony and Cleopatra begins with Philo's moral revulsion at Antony's "dotage": His captain's heart, Which in the scuffles of great...temper And is become the bellows and the fan To cool a gypsy's lust. (1.1.6-10) Enobarbus is more moderate but he doesn't at all understand that Antony is... | |
 | Gail Rae - 1998 - 124 ページ
...concern of the drama. Antony is distracted from his career and is now focused on Cleopatra: . . . those goodly eyes, That o'er the files and musters of the...office and devotion of their view Upon a tawny front .... Act I, scene i: lines 2-6 Whereas Shakespeare sometimes heaps detail upon detail, his sentences... | |
 | M. Owen Lee - 1998 - 258 ページ
...only for his black Aida is uncannily there in Shakespeare's opening lines - a 'plated Mars' whose eyes 'now bend, now turn / The office and devotion of their view / Upon a tawny front.' And in Verdi's opening 'Celeste Aida' we hear Shakespeare's 'scuffles of great fights' and 'the buckles... | |
 | Franck Lessay - 1999 - 204 ページ
...dissolution : Nay but this dotage of our General's O'erflaws the measure. Those his goodly eyes [...] now bend, now turn The office and devotion of their view Upon a tawny front. His captain's heart [...] hath burst The buckles on his breast...(Ill-8)16 Ces images de torsion (linea serpentinatd),... | |
 | William Shakespeare - 1999 - 202 ページ
...disgusted Roman soldier, the play's first speaker, one Philo, claims that Antony's "goodly eyes" . . . now bend, now turn The office and devotion of their view Upon a tawny front. . . . Philo concludes that Antony's "captain's heart . . . reneges all temper / And is become the bellows... | |
 | Tony Childs, Jackie Moore - 2000 - 196 ページ
...MARK ANTONY ATTENDANT MARK ANTONY [Enter DEMETRIUS and PHILO.] Nay, but this dotage of our general's O'erflows the measure; those his goodly eyes, That...is become the bellows and the fan To cool a gipsy's lust. Look! where they come: 1 0 [Flourish. Enter ANTONY, CLEOPATRA, her Ladies, the Train, with Eunuchs... | |
 | William Shakespeare - 2000 - 404 ページ
...of Anthony and Cleopatra 1. 1 Enter Demetrius and Philo PHI LO Nay, but this dotage of our General's O'erflows the measure: those his goodly eyes, That o'er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front;... | |
 | John Michael Archer - 2001 - 268 ページ
...lines of Antony and Cleopatra are part of the same discourse: Nay, but this dotage of our general's O'erflows the measure: those his goodly eyes, That...is become the bellows and the fan To cool a gipsy's lust.' 6 Historically a Ptolemy, Shakespeare's Cleopatra is described as the queen of Ptolemy and Egypt's... | |
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NAY, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front... 
