 | Richard Tarnas - 2006 - 604 ページ
...all things thro' narrow chinks of his cavern. May God us keep From single vision and Newton's sleep! In every cry of every Man, In every infant's cry of...voice, in every ban, The mind-forg'd manacles I hear. Poetry fetter'd Fetters the Human Race. Nations are Destroy d or Flourish in proportion as Their Poetry... | |
 | Xxxxx, Martin Howse - 2006 - 477 ページ
...$InfantsScreamInFear->{$Class} - %{$Class} if %{$Class}; #In every cry of every Man, #In every Infants cry of fear, #In every voice : in every ban, #The mind-forg'd manacles I hear # tt #SE-LONDON9; E27| #SE-LONDON10; E27| #SE-LONDON11; E27J #SE-LONDON12; E27| # How the Chimney-sweepers... | |
 | Jennifer Davis Michael - 2006 - 252 ページ
...freezes London in time, stilling its "mighty heart," in order to aestheticize it. The next two lines, "And mark in every face I meet / Marks of weakness, marks of woe," seem to follow Gay's instructions to "remark each Walker's diff 'rent Face, / And in their Look their... | |
 | Jason Allen Snart - 2006 - 226 ページ
...echoed by the Bard in Milton calling readers to "mark" his words. In "London," Blake has the narrator, "mark in every face I meet / Marks of weakness, marks of woe," which reminds again that marking is a verb of perception, yet at the same time a verb of creation,... | |
 | Jeffrey Cane Robinson - 2006 - 166 ページ
...empathy is only an idea Blake's empathy enters and fastens upon the members of the crowd itself: " mark in every face I meet / marks of weakness, marks of woe."' The fine play on the work "mark" is the sign of empathy, for the act of noticing or perceiving is the... | |
 | William Blake - 2007 - 392 ページ
...and apparel. London 1 wander thro' each charter'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks...every ban, The mind-forg'd manacles I hear: How the Chimney-sweepers cry Every black'ning Church appalls, And the hapless Soldier's sigh, Runs in blood... | |
 | John Barell - 2007 - 192 ページ
...hears in every voice: / wander thro ' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks...voice, in every ban, The mind-forg'd manacles I hear . . . ("Songs of Experience," 1791) Here were the self-imposed mental blocks of the Panamanians, ripe... | |
 | Dorothy W. Martyn - 2007 - 193 ページ
...present subject: I wander thro' each charter 'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks...every voice, in every ban, The mind-forg'd manacles I hear.1 Noting that the poem, in its final stanza, ends with the words "Marriage hearse," I want to... | |
 | Essaka Joshua - 2007 - 172 ページ
...snow'.1"* The crying recalls 'Holy Thursday', 'Is that trembling cry a song?' (1. 5), and 'London': In every cry of every Man, In every infant's cry of...voice, in every ban. The mind-forg'd manacles I hear (II. 5-8). Here 'the Chimney-sweeper's cry / Every blackening Church appalls' (11. 9-10). The boy suggests... | |
 | Nancy Bogen - 2007 - 426 ページ
...mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear. "Charter'd" refers to the Magna Carta, which granted rights to every Englishman; it's used here negatively,... | |
| |
I wander thro' each charter'd street Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles... 
