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" Tis to create, and in creating live A being more intense, that we endow With form our fancy, gaining as we give The life we image, even as I do now. "
Gentleman's Magazine and Historical Review - 435 ページ
1816
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The Mahler Companion

Donald Mitchell, Andrew Nicholson - 2002 - 676 ページ
...found a surprisingly sympathetic fellow-traveller on many more counts than this — put it in 1816: Tis to create, and in creating live A being more intense,...gaining as we give The life we image, even as I do now. 7 Adorno, Mahler, 8; a term which, despite its Hegelian '' Poems, 714 and 715. ancestry, Adorno borrows...

Byron and Romanticism

Jerome McGann - 2002 - 332 ページ
...adopts the Romantic course of trusting his own vision, his own imaginative grasp of experience: 'Tis to create, and in creating, live A being more intense,...gaining as we give The life we image, even as I do now. (Childe Harold III, st. 6) The gods summoned by this "being more intense" turn out Lucretian, however,...

Romantic Biography

Arthur Bradley, Alan Rawes - 2003 - 236 ページ
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Flesh in the Age of Reason

Roy Porter - 2003 - 600 ページ
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Romantic Biography

Arthur Bradley, Alan Rawes - 2003 - 232 ページ
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Empire Burlesque: The Fate of Critical Culture in Global America

Daniel T. O'Hara - 2003 - 400 ページ
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A Theology of Compassion: Metaphysics of Difference and the Renewal of Tradition

Oliver Davies - 2003 - 402 ページ
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British Poetry and the Revolutionary and Napoleonic Wars: Visions of Conflict

Simon Bainbridge - 2003 - 280 ページ
...Romantic Imagination, 165-91. 89 Text from Coleridge (ed.), Poetry, I. 174-7 (no line numbers given). Tis to create, and in creating live A being more intense,...With form our fancy, gaining as we give The life we imagine, even as I do now. (III. 6) And Byron's sense of his renewed faith in his poem, and in his...

Flesh in the Age of Reason

Roy Porter - 2004 - 600 ページ
...wretched failing frailties of the flesh. In an almost Nietzschean way, struggle would be the proof: 'Tis to create, and in creating live A being more intense,...I do now, What am I? Nothing: but not so art thou, Soul of my thought! And, through struggle, some kind of ultimate identification with nature, with the...

The Cambridge Companion to English Literature, 1740-1830

Thomas Keymer, Jon Mee - 2004 - 332 ページ
...writing sets down a trace of self which, despite its artificial shape, also offers transcendence: 'Tis to create, and in creating live A being more intense,...I do now. What am I? Nothing; but not so art thou, Soul of my thought!16 But Childe Harold later resumes this language of inward intensity to concede...




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