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" As in a theatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on gentle Richard : no man cried, God save... "
An American Selection of Lessons in Reading and Speaking: Calculated to ... - 10 ページ
Noah Webster 著 - 1804 - 236 ページ
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Cumberland's British Theatre: With Remarks, Biographical and Critical, 第 11 巻

George Daniel, John Cumberland - 1826 - 338 ページ
...The loss of Falstaff is irrt1 pa rabie — " As in a theatre, the eyes of men, Af'er a well graced actor leaves the stage, Are idly bent on him that enters next" — we hear of Azincoiir— but we think of Shrewsbury. The character of Fluellen is excellently drawn...

The Plays of William Shakespeare

William Shakespeare - 1827 - 844 ページ
...poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-grac'd d So hot a speed with such advice dUpo&'d, Such temperate order in so fierce a cause. he tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God...

The Dramatic Works of William Shakespeare: Accurately Printed from ..., 第 1 巻

William Shakespeare, George Steevens - 1829 - 506 ページ
...stage, (M Never the nigher. (6) Tapestry hung from the window?. Are idly bent1 on him that enter« next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes T>id scowl on Richard ; no man cried, God save him ; No joyful tongue gave him his welcome home : But...

The Dramatic Works of William Shakspeare, 第 4 巻

William Shakespeare, William Harness - 1830 - 458 ページ
...York. As in a theatre3 the eyes of men, After a well-grac'd actor leaves the stage, Are idly bentb on him that enters next, Thinking his prattle to be...: Even so, or with much more contempt, men's eyes 1 With painted imag'ry, had said at once,] Our author probably was thinking of the painted clothes...

The Olio, Or, Museum of Entertainment, 第 4 巻

1830 - 430 ページ
...was yet to make into that selfsame city, when " As in a theatre, the eyes of men. After a well-graced actor leaves the stage. Are idly bent on him that enters next. Thinking his prattle to be te'lloim, Even HO, or with much more contempt, me u's eyes Did scowl on Richard : no man cried ' God...

Elements of Criticism

Lord Henry Home Kames - 1830 - 492 ページ
...men, After a well-grac'd actor leaves the stage, Are idly bent on him who enters next, Thinking bis prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Riqbard ; no man cry'd, God save him ! No joyful tongue gave him his welcome home , But dust was thrown...

Proceedings at the Contested Election for the City of Chichester, 1830 ...

CHICHESTER. - 1830 - 222 ページ
...;" As were our City in reversion HIS, And he the Electors' next degree in hope. THE PURPLE. As in a Theatre, the eyes of men, After a well grac'd Actor leaves the stage, Thinking his prattle to be tedious; Look carelessly on him that enters next, Even so, or with much...

The Dramatic Works of William Shakspeare: With Glossarial Notes, a Sketch of ...

William Shakespeare - 1832 - 1022 ページ
...poor Richard 1 where riUes he the while t York. At In a theatre, the eyes of men. After a well-gracfd 񧽀 D Õ # ޟ $ 쭀 couteuipt, men's eyes Did sco»l on Richard ; no man cried, God save him ; No joyful tongue gave him...

Some Account of the English Stage: From the Restoration in 1660 to 1830, 第 5 巻

John Genest - 1832 - 668 ページ
...neat compliment by quoting from Richard 2d — " As in a Theatre the eyes of men " After a well-graced Actor leaves the stage " Are idly bent on him that enters next." — he also introduced some ironical compliments on Operas — Crotchet observes " that Operas are...

A Course of Lectures on Dramatic Art and Literature

August Wilhelm von Schlegel - 1833 - 476 ページ
...Bidiard the Third is deserving of attention:— As in a tbeatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious, &c. DRAMATIC LITERATURE. for that we may easily suppose, but even in those external circumstances which...




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