 | Samuel Johnson, Arthur Murphy - 1820 - 476 ページ
...leap, And musick's power obey. From harmony, from heavenly harmony, This universal frame tegan : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise striking ; but it includes an image so awful in itself, that it can owe... | |
 | Alexander Jamieson - 1820 - 388 ページ
...2. From harmony, from hearenly harmony, This universal frame hegan ; From harmony to harmony, Thro' all the compass of the notes it ran, The diapason closing full in mant. Analysis. This is of the same signature with the former i there is not even a glimpse of meamng... | |
 | John Dryden, Walter Scott - 1821 - 504 ページ
...leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the notes it ran, The diapason* closing full in man. II. What passion cannot music raise and quell ? When Jubal struck the chorded shell, His listening... | |
 | Charles Burton - 1823 - 234 ページ
...leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. What passion cannot Music raise and quell ? When Jubal struck the chorded shell, His listening brethren... | |
 | Samuel Johnson, Arthur Murphy - 1823 - 652 ページ
...leap, And musick's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise striking; but it includes an image so awful in itself, that it can owe little... | |
 | Samuel Johnson - 1825 - 504 ページ
...leap, And musick's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the notes it ran. The diapason closing full in man. The conclusion is likewise striking ; but it includes an image so awful in itself, that it can owe... | |
 | Samuel Johnson - 1825 - 674 ページ
...leap, And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise striking ; but it includes an image so awful in itself, that it can owe... | |
 | George Lewis Smyth - 1826 - 1042 ページ
...leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. n. What passion cannot music raise and quell ! When Jubal struck the chorded shell, His list'ning brethren... | |
 | George Lewis Smyth - 1826 - 556 ページ
...leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. n. What passion cannot music raise and quell ! When Jubal struck the chorded shell, His list'ning brethren... | |
 | John Mason Good - 1826 - 536 ページ
...leap, And Music's power obey. ' From harmony, from heav'nly harmony, This universal frame began ; From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. What Pythagoras thus called numbers Plato denominated ideas, a term which has, hence, descended to... | |
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From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. 
