 | Epes Sargent - 1857 - 490 ページ
...leap, And Music's power obey. 2. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony, Through all the compass of the notes it ran, The diapa'son" closing full in man. 3. What passion cannot music raise and quell I When Julxil" struck the chorded shell," His listening... | |
 | Hugh Miller - 1857 - 520 ページ
...appeared to the poet himself: — " From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in man. " In the limits to which I have restricted myself, I have been able to do little more than simply to... | |
 | Epes Sargent - 1857 - 488 ページ
...leap, And Music's power obey. 2. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony, Through all the compass of the notes it ran, The iii.ii • •. .- ••n- •• closing full in man. 8. What passion cannot music raise and quell... | |
 | William Holmes McGuffey - 1858 - 516 ページ
...CE-CIL'-IA; patron-saint of music. FROM harmony, from heavenly harmony, This universal frame began; From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in man. What passion can not music raise and quell? When Jubal struck the corded shell, His listening brethren... | |
 | Samuel Johnson - 1858 - 418 ページ
...leap, • And music's power obey. From harmony, from heavenly harmony, This universal frume began: From harmony to harmony. Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise striking; but it include! an image so awful in itself, that it can owe little... | |
 | 1858 - 642 ページ
...the harmony of creation. " From harmony, from heavenly harmony, This universal fraine began ; From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in man." Universal admiration rested on the scientific corps, who, on board the Niagara, watched the electric... | |
 | William T. Smithson - 1858 - 398 ページ
...appropriately exclaim with Dryden : " From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The (impawn closing full in man." But mind too, must reach its climax by progressive development. Yon pale... | |
 | George Campbell - 1859 - 460 ページ
...following lines -f Dryden: "From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in man."* In general it may be said, that in writings of this stamp we must accept of sound instead of sense,... | |
 | Henry Coppée - 1859 - 380 ページ
...in the opening lines : — " From harmony, from heavenly harmony, This universal frame began. From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man." Perhaps there is no more striking illustration of the adaptation of sound to sense, than the following... | |
 | John Dryden - 1859 - 480 ページ
...leap, And Music's power ohey. From harmony, from heavenly harmony This universal frame hegan ; From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. II. What passion cannot Music raise and quell ? When Juhal struck the corded shell, His listening hrethren... | |
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From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. 
