 | Marshall Grossman - 1998 - 378 ページ
...equivocation in this crucial moment is resolved by the commonplace sound of a bell ringing the hours: "I go, and it is done; the bell invites me. / Hear it not, Duncan, for it is a knell, / That summons thee to heaven or to hell" (62-64). 5 Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity... | |
 | Tom Stoppard - 1998 - 226 ページ
...towards my hand? Come, let me clutch thee— I have thee not and yet I see thee still! (A bell sounds.) I go, and it is done; the bell invites me. Hear it not, Duncan, for it is a knell That summons thee to heaven or to hell. (Exit MACBETH. Sounds of owls and crickets. Enter LADY MACBETH:... | |
 | Ada Neiger - 1998 - 466 ページ
...eccheggia nell'anima e la rasserena, quello dei forti rintocchi della campana del pranzo», p. 115. 17 «I go, and it is done: the bell invites me. / Hear it not, Duncan; for it is a knell / That summons thee to Heaven, or to Hell», Macbeth, atto II, scena i, versi 62-64; edizione consultata William... | |
 | Ronald Hayman - 1999 - 116 ページ
...next three lines, forges a theatrical link between the raucous noise and the silent act of stabbing. I go, and it is done: the bell invites me. Hear it not, Duncan, for it is a knell That summons thee to heaven, or to hell. The knocking does not start until the end of the following scene,... | |
 | Melanie Krämer - 2000 - 190 ページ
...si affaccia un pugnal?!", Akt l, Szene 1l, Seite 24), ebenso wie Macbeths die Szene beendenden Worte „I go, and it is done: the bell invites me. / Hear it not, Duncan; for it is a knell / That summons thee to Heaven, or to Hell" (II, i, 62-64) am Ende der Librettoszene erscheinen: JE deciso...... | |
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I go, and it is done: the bell invites me. Hear it not, Duncan, for it is a knell That summons thee to heaven, or to hell. 
