 | William Shakespeare - 1850 - 564 ページ
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern l instances, And so he plays his part. The sixth age...eyes, sans taste, sans every thing. Re-enter ORLANDO, tmth ADAM. Duke S. Welcome. Set down your venerable burden, And let him feed. Orl. 1 thank you most... | |
 | William Shakespeare - 1850 - 576 ページ
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern l instances, And so he plays his part. The sixth age...eyes, sans taste, sans every thing. Re-enter ORLANDO, 11nth ADAM. Duke S. Welcome. Set down your venerable burden, And let him feed. Or/. 1 thank you most... | |
 | Robert Joseph Sullivan - 1850 - 524 ページ
...well sav'd, a world too wide For his shrunk shanks ; and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound —...Sans teeth, sans eyes, sans taste, sans every thing. X. — ORLANDO AND ADAM. Orion Who's there? Adam. — What, my young master ! Oh, my gentle master... | |
 | 1851 - 496 ページ
...mistress' eyebrow. Then, the soldier, Full of strange oaths, and bearded like the pard ; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation...Sans teeth, sans eyes, sans taste, sans every thing. FEMALE FRIENDSHIP. Is all the counsel that we two have shared, The sisters' vows, the hours that we... | |
 | William Shakespeare - 1851 - 540 ページ
...and modern ! instances. And so he plays his part: The sixth age shifts Into the lean and shpper' d pantaloon; With spectacles on nose, and pouch on side;...voice, Turning again toward childish treble, pipes And w histles in his sound: Last scene of all, That ends this strange eventful history, Is second childishness,... | |
 | William Shakespeare - 1851 - 408 ページ
...hose well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound:...Sans teeth, sans eyes, sans taste, sans every thing. INGRATITUDE. A SONG. Blow, blow, thou winter wind, Thou art not BO unkind As man's ingratitude ; ,... | |
 | James Robert Boyd - 1852 - 364 ページ
...Into the lean and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hoee well saved, a world too wide For his shrunk shank...Sans teeth, sans eyes, sans taste, sans every thing." Of Shakspeare, Hazlitt remarks, that his genius shone equally on the evil and on the good, on the wise... | |
 | William Shakespeare - 1852 - 512 ページ
...and slipper'd pantaloon ; With spectacles on nu*e, and pouch on aide ; His youthful hose well sav'd, a world too wide For his shrunk shank ; and his big...eyes, sans taste, sans every thing. Re-enter Orlando, vrilh Adam. Duke S. Welcome : set down your venerable burden, And let him feed. OrL I thank you most... | |
 | Durham city, sch - 1852 - 486 ページ
...saws and modern instances, And so he plays his part : the sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : last scene of all, That ends this strange eventful history, In second childishness, and mere oblivion ; Sans teeth, sans eyes, sans tante,... | |
 | William Shakespeare, William Hazlitt - 1852 - 566 ページ
...saws, and modern 1 instances And so he plays his part : The sixth age shifts Into the lean and shpperM pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
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With spectacles on nose, and pouch on side ; His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound : last scene of all, That ends this strange... 
