 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - 34 ページMarlborough coll 著 - 1867全文表示 - この書籍について
 | Samuel Taylor [poetical works] Coleridge - 1877 - 416 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1877 - 408 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | George Rhett Cathcart - 1878 - 446 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor [poetical works] Coleridge - 1880 - 512 ページ
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1881 - 592 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | George Black (M.D.) - 1881 - 870 ページ
...during which he had a vivid confidence that he composed from two to three hundred lines, if, ashe says, that can be called composition in which all the images...before him as things with a parallel production of correspondent expressions On waking he appeared to have a distinct recollection of the whole, and proceeded... | |
 | Samuel Taylor [poetical works] Coleridge - 1882 - 448 ページ
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | James Baldwin - 1882 - 632 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that, indeed, can be called composition in which all the images...before him as things with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | William Alexander Hammond - 1883 - 798 ページ
...confidence that he could have composed not less than from two to three hundred lines, if that, indeed, can be called composition, in which all the images...things with a parallel production of the corresponding expression without any sensation or consciousness of effort. On awaking, he appeared to himself to... | |
 | Henry Duff Traill - 1884 - 250 ページ
...confidence that he could not have composed less than from two to three hundred lines — if that indeed can be called composition in which all the images...expressions, without any sensation or consciousness of effect. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking... | |
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