 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - 34 ページMarlborough coll 著 - 1867全文表示 - この書籍について
 | William Macneile Dixon - 1911 - 792 ページ
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without anv sensation or consciousness of effort. On awaking he appeared... | |
 | james dykes campbell - 1914 - 810 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Walter Barnes - 1915 - 602 ページ
...two or three hundred lines—• though it was not composing in the ordinary sense of the word, since "the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort." When he awoke, he wrote... | |
 | Franklyn Bliss Snyder, Robert Grant Martin - 1916 - 566 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Vida Dutton Scudder - 1919 - 572 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1920 - 164 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Oliver Elton - 1920 - 504 ページ
...happy hour; and a text from Purchas his Pilgrimage, echoing in the brain during sleep, begot a poem in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. Coleridge says that he... | |
 | Sir Archibald Strong - 1921 - 454 ページ
...flung up, is Kubla Khan, produced after a reading of Ptirclias his Pilgrims, during a deep slumber ' in which all the images rose up before him as things with a parallel production of the correspondent expressions, without any sensation or consciousness of effort '. The poem consists of... | |
 | Arthur James John Ratcliff - 1923 - 264 ページ
...confidence, that he could not have coniposed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without ,any sensation or consciousness of effort. On awaking he appeared... | |
 | Oliver Elton - 1924 - 500 ページ
...happy hour; and a text from Purchas his Pilgrimage, echoing in the brain during sleep, begot a poem in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. Coleridge says that he... | |
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