 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - 34 ページMarlborough coll 著 - 1867全文表示 - この書籍について
 | Leo Katz - 1996 - 330 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awakening he appeared... | |
 | Alfred Alvarez - 1996 - 324 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 63 ‘Kubla Khan' is all... | |
 | Peter Hughes, Robert Rehder - 1996 - 258 ページ
...since to the images he sees in his dream, he gets the words and lines of the poem, "... if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort" (163, emphasis added).... | |
 | Morton D. Paley - 1999 - 164 ページ
...characteristic of the earlier (:oleridge, as expressed in his accoaunt osf the creation of'Kubla Khan': ‘All the images rose up before him as things, with a parallel production of coarrenpomndent expressions' (GPO 1. 296). Once more, the late Coleridge expenences a renewal of earlier... | |
 | Margaret Russett - 1997 - 318 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. (CFW2 95 — 9 6) Dc Quinccy's... | |
 | Lawrence S. Rainey - 1997 - 294 ページ
...he received in a dream the full text of “Kubla Khan,” Blake seems the producer of poetical works “in which all the images rose up before him as things, with a parallel production of the correspondent expressions.” Words as images, words as things. In this respect, it is difficult to... | |
 | Morton D. Paley - 1999 - 338 ページ
...conveys his own conviction, is remarkably like his own account of how he composed 'Kubla Khan' in a state 'in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort'. 81 Swedenborg's visions... | |
 | Andre Bernard, Clifton Fadiman - 2000 - 808 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | 1923 - 762 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Alan Richardson - 2001 - 270 ページ
...another level of psychic fragmentation into discrete visual and linguistic modules: “if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.” It is difficult to... | |
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