 | Robert Kleuker - 1907 - 188 ページ
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a moderate theatre... | |
 | Samuel Johnson - 1908 - 254 ページ
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | 1910 - 482 ページ
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | Raymond Macdonald Alden - 1911 - 752 ページ
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | Raymond Macdonald Alden - 1911 - 754 ページ
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | Raymond Macdonald Alden - 1911 - 744 ページ
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | 1909 - 498 ページ
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 ページ
...hour should not be a century in that calenture of the brains that can make the stage a field. tain number of lines recited with just gesture and elegant...absurdity of allowing that space to represent first Athens and then Sicily, which was always known to be neither Sicily nor Athens but a modern theater?... | |
 | Michael J. Sidnell - 1991 - 298 ページ
...act to the last, that the stage is only a stage, and that the players are only players < Co/2 3 1 > . They come to hear a certain number of lines recited...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
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They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place; but the different actions that complete a story may be in places very... 
