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ブックス Marlow was not typical (if his propensity to spin yarns be excepted), and to him... の書籍検索結果
" Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these... "
The Atlantic Monthly - 751 ページ
1906
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Ashes Taken for Fire: Aesthetic Modernism And the Critique of Identity

Kevin Bell - 2007 - 268 ページ
...fiction. In the opening pages of Heart of Darkness is found perhaps the best known of these formulations: "But Marlow was not typical (if his propensity to...outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that, sometimes, are...

The Cambridge Introduction to Modernism

Pericles Lewis - 2007 - 197 ページ
...how the stories of Marlow, the narrator of most of the novella, differ from those of other sailors: "The yarns of seamen have a direct simplicity, the...lies within the shell of a cracked nut . . . [But to Marlow,] the meaning of an episode was not inside like a kernel but outside, enveloping the tale...

Romancing the Novel: Adventure from Scott to Sebald

Margaret Bruzelius - 2007 - 294 ページ
...circular and ultimately meaningless. The outermost narrator says of Marlow's tales in general that "the meaning of an episode was not inside like a kernel...outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made...

The Cambridge Introduction to Modernism

Pericles Lewis - 2007 - 310 ページ
...simplicity, the whole meaning of which lies within the shell of a cracked nut . . . [But to Marlow,] the meaning of an episode was not inside like a kernel...outside, enveloping the tale which brought it out only as a glow brings out a haze." Heart of Darkness does not reveal its meaning in digestible morsels,...

Fear and Loathing of Boca Raton: A Hippies' Guide to the Second Sixties

Steven Lewis - 2007 - 212 ページ
...longer than physics and psychology would ever allow us to understand. Life beckons. Always. From Conrad: "The meaning of an episode was not inside like a kernel...outside, enveloping the tale which brought it out only as a glow brings out a haze." So I sit here in a kind of purple haze, glowing with life and the...

Conrad's Marlow: Narrative and Death in 'Youth', Heart of Darkness, Lord Jim ...

Paul Wake - 2007 - 164 ページ
...comparable to the contrast drawn by the narrator of Heart of Darkness between the 'yarns of seamen' which have a 'direct simplicity, the whole meaning of which lies within the shell of a cracked nut' and the narrative technique of Marlow for whom, 'the meaning of an episode was not inside like a kernel...

All the Difference in the World: Postcoloniality and the Ends of Comparison

Natalie Melas - 2007 - 308 ページ
...citation of the famous passage in Heart of Darkness in which Marlow asserts that his tale's meaning is not "inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze" (quoted in Naipaul, 227). Dangling here in the guise of a conclusion,...

White Horizon: The Arctic in the Nineteenth-Century British Imagination

Jen Hill - 2009 - 248 ページ
...spaces, is enacted in Marlow's tale.38 The narrator describes Marlow's narrative as carrying its meaning "not inside like a kernel, but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made...

Joseph Conrads "Heart of Darkness" als Kritik am europäischen Kolonialismus

Florian Scharr - 2007 - 117 ページ
...S. 14 6 = "Heart of Darkness", S. 27 7 = "Heart of Darkness", S. 26 but he was a wanderer, too ... but Marlow was not typical (if his propensity to spin yarns be excepted)."10 Uns wird also schon zu Beginn nahegelegt, unserem sich selbst als absolut ehrlich darstellenden...




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