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ブックス It will be asked how the drama moves if it is not credited. It is credited with all... の書籍検索結果
" It will be asked how the drama moves if it is not credited. It is credited with all the credit due to a drama. It is credited, whenever it moves, as a just picture of a real original, as representing to the auditor what he would himself feel if he were... "
The Plays and Poems of William Shakespeare: Accurately Printed from the Text ... - ix ページ
William Shakespeare 著 - 1833 - 1064 ページ
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Johnson on Shakespeare: Essays and Notes

Samuel Johnson - 1908 - 254 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 754 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 752 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....auditor what he would himself feel if he were to do nr suffpr what ;]gThpre feign'pfT to"be suffered or to be done. The'feTTec^itijthat strikes the heart...

The Harvard Classics, 第 39 巻

1909 - 498 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may...

Literary Criticism: Pope to Croce

Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...

Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

Frederick Burwick - 2010 - 357 ページ
...Johnson goes on to argue that credibility derives from the contemplation of the emotional effects: It will be asked, how the drama moves, if it is not credited....or suffer what is there feigned to be suffered or done. The reflection that strikes the heart is not, that the evils before us are real evils, but that...

Sources of Dramatic Theory: Volume 2, Voltaire to Hugo

Michael J. Sidnell - 1991 - 298 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...

William Shakespeare: The Critical Heritage, 第 5 巻

Brian Vickers - 1995 - 585 ページ
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be...




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