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Witches and Jesuits: Shakespeare's Macbeth…
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Witches and Jesuits: Shakespeare's Macbeth (original 1995; edition 1995)

by Garry Wills (Author)

MembersReviewsPopularityAverage ratingMentions
1484184,563 (4)1
I read this as preparation for reading Macbeth (a favorite of mine!), and it did provide some insights. I hadn't previously been aware of the play's historical context, premiering a year after the Gunpowder Plot...

Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the Gunpowder Treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, t'was his intent
To blow up the King and Parli'ment.
Three-score barrels of powder below,
Poor old England to overthrow;


After reminding readers of the powerful cultural impact of more contemporary events, such as Pearl Harbor or the Kennedy Assassination (the book was written in 1995), Wills examines this connection from various angles, demonstrating how aspects of the play, such as Malcolm's testing of Macduff, which may seem to modern readers to be diversions from the “main” story, would have been of keen interest to audiences in Shakespeare's day, showing how a shrewd ruler avoided betrayal. Similarly, Wills illustrates the connection between the witches and the Jesuits behind the Gunpowder Plot, drawing on material from a range of Gunpowder plays (I didn't even know there was such a thing!). I knew something before this about James I's concern with witches, but I would never have drawn the connections between Macbeth and witchcraft (aside from the obvious ones) that Wills points out. Admittedly, I didn't always find his readings convincing, and the stuff about the “curse” on the play just seems silly to me (I'm not a theatre person, so I have no idea whether this is something anyone, aside from Wills, actually takes seriously), but many of his arguments seemed convincing, and this will certainly add to my appreciation of the play. Three and a half stars. ( )
  meandmybooks | Oct 28, 2017 |
Showing 4 of 4
As always, Wills writes well. His thesis about witches is interesting, and he defends it well, though I will hold off adopting it just because it sounds good. The work quotes not only from Macbeth, the play it is about, but also many other contemporary works, showing that there were other writers from whom Shakespeare took inspiration, and others who took inspiration from him. Like most writing, Shakespeare's didn't operate in a vacuum, but with a backdrop of a busy city going about its daily routines, marked by numerous concerns. Wills brings that backdrop to the foreground in exploring what Macbeth is about, and rejects the idea that it must be made current, updated. When that happens, he says, the play fails because it doesn't work to rip it untimely out of the womb of its own time (my phrase...sort of...not his). He does spend very little time on the Jesuits; I would have liked more insight into their role in Shakespeare's mind. I recommend reading this for anyone who loves the play...or for anyone who doesn't because they just don't 'get it'. ( )
  Devil_llama | Mar 2, 2023 |
Who would have guessed that if you're going to mount a production of "The Scottish Play" that you should start by "remember[ing] the fifth of November"? Garry Wills makes a persuasive argument that it's only by understanding the impact of the historical, political, and theological context of The Gunpowder Plot that the plot and magical elements of "Macbeth" can be fully understood.

The discussion requires genuine interest in Jacobean England, Shakespeare, and/or theological politics to be fully interesting, but I had two out of three and did okay with it.

For me, the best part was Wills' close examination of how the presentation of witchcraft in "Macbeth" fits into the historical context: the legal and popular understanding of what witchcraft was, especially regarding contracts with the devil. There are some great ideas about how to use the various "triple invocations" and circling actions to highlight themes when staging the play.

I would recommend this book to anyone who is going to be reading, viewing, performing, or studying "Macbeth." ( )
  jsabrina | Jul 13, 2021 |
I read this as preparation for reading Macbeth (a favorite of mine!), and it did provide some insights. I hadn't previously been aware of the play's historical context, premiering a year after the Gunpowder Plot...

Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the Gunpowder Treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, t'was his intent
To blow up the King and Parli'ment.
Three-score barrels of powder below,
Poor old England to overthrow;


After reminding readers of the powerful cultural impact of more contemporary events, such as Pearl Harbor or the Kennedy Assassination (the book was written in 1995), Wills examines this connection from various angles, demonstrating how aspects of the play, such as Malcolm's testing of Macduff, which may seem to modern readers to be diversions from the “main” story, would have been of keen interest to audiences in Shakespeare's day, showing how a shrewd ruler avoided betrayal. Similarly, Wills illustrates the connection between the witches and the Jesuits behind the Gunpowder Plot, drawing on material from a range of Gunpowder plays (I didn't even know there was such a thing!). I knew something before this about James I's concern with witches, but I would never have drawn the connections between Macbeth and witchcraft (aside from the obvious ones) that Wills points out. Admittedly, I didn't always find his readings convincing, and the stuff about the “curse” on the play just seems silly to me (I'm not a theatre person, so I have no idea whether this is something anyone, aside from Wills, actually takes seriously), but many of his arguments seemed convincing, and this will certainly add to my appreciation of the play. Three and a half stars. ( )
  meandmybooks | Oct 28, 2017 |
THIS BOOK IS THE BEST EVER! ( )
  rg_parker | Aug 23, 2006 |
Showing 4 of 4

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