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書籍 The man that hath no music in himself, Nor is not moved with concord of sweet sounds,... の書籍検索結果
" The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted. "
Discoveries in hieroglyphics, and other antiquities, in progress to which ... - 261 ページ
Robert Deverell 著 - 1813
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Northrop Frye on Modern Culture

Northrop Frye - 2003 - 409 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus; Let no such man be trusted. (5.1.83-8) 3 See the description of a cosmic music in Paradise Lost, bk. 5,11. 624-5 fedFowler): "Eccentric,...

Von der Ökonomik zur politischen Ökonomie: ökonomischer Diskurs und ...

Christiane Damlos-Kinzel - 2003 - 212 ページ
...in der Belmont als Enklave inmitten einer fragwürdigen Zivilisation erscheint. Sie sagt zu Nerissa: "That light we see is burning in my hall: / How far that little candle throws his beam! / So shines a good deed in a naughty world." (V. i. 89-91) Von hier ausgehend ist zu erklären,...

Sir Arthur Somervell on Music Education: His Writings, Speeches and Letters

Arthur Somervell - 2003 - 144 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils. The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. 'Poetic licence' indeed, if alluding to what we call music, such nonsense as would seriously reflect...

Clavados

2003 - 117 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motion of his spirit are dull as night, And his affections dark as erebus. Let no such man be trusted) Como predicadores protestantes de barrio, tenemos la voz. Nuestros Heder trepan como enredaderas las...

Shakespeare, National Poet-Playwright

Patrick Cheney, Patrick Gerard Cheney, Cheney Patrick - 2004 - 319 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as [Erebus]: Let no such man be trusted. (Merchant of Venice, 5. 1. 79-88) Lorenzo is trying to rationalize the mystery of the music he and...

The Prisoners of God

Madan M. Sauldie - 2004 - 262 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night And his affections dark as Erebus*: Let no such man be trusted. William Shakespeare, The Merchant of Venice * Erebus: Place of darkness between Earth and Hades. Music...

Shakespeare's Comedy of Love

Alexander Leggatt - 2005 - 272 ページ
...perfection in human terms. And when Portia herself enters the argument is taken one step further: PORTIA: That light we see is burning in my hall. How far that...candle throws his beams! So shines a good deed in a naughty world. NERISSA: When the moon shone, we did not see the candle. PORTIA: So doth the greater...

A Place in the Story: Servants and Service in Shakespeare's Plays

Linda Anderson - 2005 - 339 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music. (5.1.83-88) Whether having music in oneself means possessing the ability to make music or merely the...

The Music of Creation, with CD

Arthur Robert Peacocke, Ann Pederson - 2006 - 107 ページ
...with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted. Mark the music. Shakespeare, The Merchant of Venice Music is the sole domain in which man realizes the present. By...

Shakespeare And Music

David Lindley - 2006 - 284 ページ
...with concord of sweet sounds. Is lit for treasons, stratagems, and spoils. The motions of his spirit are dull as night, And his affections dark as Erebus: Let no such man be trusted, (MV. 5.1 .55-88) This is Shakespeare's best-known expression of his period's conventional theories...




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