 | William Shakespeare - 1814 - 532 ページ
...act to the last, that the stage is only a stage, and that the (players are only players. They coine to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | Francis Wrangham - 1816 - 616 ページ
...' The truth is, that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | Francis Wrangham - 1816 - 624 ページ
...' The truth is, that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | Samuel Johnson - 1818 - 420 ページ
...first act to the last, that the stage is only a stage, and that the players are only playerg. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1821 - 668 ページ
...The truth is *, that the spectators are always in their senses, and know, from the first Act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre?... | |
 | William Shakespeare - 1823 - 526 ページ
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | Samuel Johnson - 1823 - 432 ページ
...first act to the last, '• the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1823 - 350 ページ
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...different actions that complete a story may be in place? very remote from each other ; and where is the absurdity of allowing that space to represent... | |
 | Samuel Johnson - 1825 - 502 ページ
...The truth is, that the spectators are always in their' senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | Samuel Johnson - 1825 - 504 ページ
...The truth is, that the spectators are always in their , senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, bat a modern theatre... | |
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They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place; but the different actions that complete a story may be in places very... 
