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書籍  if, indeed, that can be called composition in which all the images rose up before... の書籍検索結果
" if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort. "
The Marlburian - 34 ページ
Marlborough coll 著 - 1867
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Christabel: Kubla Khan : a Vision ; The Pains of Sleep

Samuel Taylor Coleridge - 1816 - 64 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared...

The Poetical Works of S.T. Coleridge: Including the Dramas of Wallenstein ...

Samuel Taylor Coleridge - 1828
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared...

The Westminster Review, 第 12 巻

1829
...which was composed during " a profound sleep, at least of the external senses," " if that, indeed, can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort." The tale is extraordinary,...

The Poetical Works of S.T. Coleridge: Including the Dramas of ..., 第 1 巻

Samuel Taylor Coleridge - 1829 - 353 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness...

The Philosophy of Sleep

Robert Macnish - 1834 - 296 ページ
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking, he appeared...

The Poetical Works of S.T. Coleridge, 第 1 巻

Samuel Taylor Coleridge - 1834 - 331 ページ
...could not have compound lesH than from two to three hundred lines ; if that unlfi-il CUM be culled composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or rojiHriipu>siii's.s of effort. On awaking he appeared...

The Poetical Works of S. T. Coleridge, 第 1 巻

Samuel Taylor Coleridge - 1835 - 331 ページ
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sAsation or consciousness of effort. On awaking he appeared...

The penny cyclopædia [ed. by G. Long]., 第 9 巻

Society for the diffusion of useful knowledge - 1837
...ourselves justified iu retaining our inv n failli i hei ein. two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.' On awaking he instantly...

The Works of Samuel Taylor Coleridge, Prose and Verse: Complete in One Volume

Samuel Taylor Coleridge - 1840 - 546 ページ
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking he appeared...

The Gentleman's Magazine

1844
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking, he appeared...




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