 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - 34 ページMarlborough coll 著 - 1867全文表示 - この書籍について
 | Samuel Taylor Coleridge - 1816 - 242 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1828 - 374 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | 1829 - 558 ページ
...which was composed during " a profound sleep, at least of the external senses," " if that, indeed, can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort." The tale is extraordinary,... | |
 | Samuel Taylor Coleridge - 1829 - 400 ページ
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness... | |
 | Robert Macnish - 1834 - 362 ページ
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking, he appeared... | |
 | Samuel Taylor [poetical works] Coleridge - 1834 - 312 ページ
...could not have compound lesH than from two to three hundred lines ; if that unlfi-il CUM be culled composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or rojiHriipu>siii's.s of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1835 - 320 ページ
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sAsation or consciousness of effort. On awaking he appeared... | |
 | Society for the diffusion of useful knowledge - 1837 - 538 ページ
...ourselves justified iu retaining our inv n failli i hei ein. two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.' On awaking he instantly... | |
 | Samuel Taylor Coleridge - 1840 - 582 ページ
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking he appeared... | |
 | 1844 - 734 ページ
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking, he appeared... | |
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